The Most Holy Trinosophia And Uechi Ryu

The Most Holy Trinosophia is an esoteric text attributed to Comte de Saint-Germain, a mysterious figure associated with alchemy and mystical teachings. While the Trinosophia does not directly relate to Uechi Ryu, a traditional Okinawan martial art, there are intriguing similarities that can be drawn between the two.

In the Trinosophia, there are references to the three days and 36 days. These time periods hold symbolic significance, representing stages of transformation and spiritual evolution. Similarly, Uechi Ryu places great emphasis on discipline and dedicated training, often progressing through a series of levels or stages symbolised by the same numerological values. (3,9,36,108(81))

Let's explore the connection between the Trinosophia and the three main katas of Uechi Ryu: Sanchin, Seisan, and Sanseiryu.

1. The Altar - Sanchin Kata: The altar mentioned in the Trinosophia can be associated with the Sanchin Kata in Uechi Ryu. The altar is a central point of focus, a place of reverence and spiritual connection. Similarly, Sanchin Kata is the foundational kata of Uechi Ryu, representing the core principles and essence of the style. It is often referred to as the "three battles" or "three conflicts" and emphasizes internal energy, stability, and strength. And also Shin gi tai and Shin jin bu concepts. Just as the altar serves as a focal point, Sanchin Kata serves as the centerpiece of Uechi Ryu training, providing a strong foundation for further development.

2. The Torch - Seisan Kata: The torch mentioned in the Trinosophia can be linked to the Seisan Kata in Uechi Ryu. The torch represents illumination, enlightenment, and the guiding light. Seisan Kata in Uechi Ryu emphasizes intricate hand techniques, rapid movements, and heightened awareness. The torch symbolizes the intense focus and precision required in Seisan Kata. Just as the torch illuminates the darkness, Seisan Kata brings clarity and heightened perception to the practitioner, allowing them to navigate through challenging situations with precision and intent.

3. The Bird - Sanseiryu Kata: The bird symbol mentioned in the Trinosophia can be connected to the Sanseiryu Kata in Uechi Ryu. Birds are often associated with freedom, agility, air, and grace. Sanseiryu Kata is known for its air, fluid, circular movements, and dynamic techniques. The bird symbolizes the soaring and lightness of movement found in Sanseiryu, as well as the ability to adapt and flow effortlessly. Just as a bird moves swiftly and gracefully through the air, Sanseiryu Kata allows practitioners to move with agility, adaptability, and a sense of liberation.

   The great wind described in section 3 of the Trinosophia can be connected to the swirling, dynamic nature of Sanseiryu. Both represent the unleashing of immense power and energy, yet also require control and precision. The symbol of the bird in the Trinosophia aligns with the bird-like motions and soaring techniques found in Sanseiryu.

Furthermore, both the Trinosophia and Uechi Ryu share the motif of two serpents. Uechi Ryu has the concept of the descending dragon and rising dragon, representing different aspects of energy flow and internal power. Similarly, the Trinosophia explores the duality of opposing forces, often represented by serpents or dragons. Both systems acknowledge the importance of balancing and harmonising these forces to achieve spiritual and physical growth.

Moreover, Trinosophia describes a scene where eighty-one thrones surround an altar, each accessed by nine steps of varying heights, covered with red carpets. This imagery can be interpreted in the context of the alchemical process and its relationship to Uechi Ryu.

In alchemy, the process of transmutation involves several stages or phases, often referred to as nigredo (blackening), albedo (whitening), and rubedo (reddening). These stages represent the purification and transformation of the alchemical substance. This could symbolically represent the culmination of the alchemical process, specifically focusing on the rubedo phase.

The number eighty-one can be associated with the nine squares of the magic square, a powerful symbol in alchemy. The magic square is often linked to the completion of the alchemical process, representing the attainment of perfection. The thrones around the altar may represent the attainment of spiritual enlightenment or mastery resulting from the alchemical work.

The nine steps mentioned suggest a progressive ascent or journey through the alchemical process. Each step represents a stage of transformation and growth, with the unequal heights indicating that each stage carries its own challenges and significance. This parallels the concept of the alchemical process in Uechi Ryu, where practitioners progress through various levels or stages of training (katas), each presenting its own unique obstacles and lessons.

The red carpets covering the steps can be seen as symbolic of the emergence of the rubedo phase. In Uechi Ryu, the rubedo phase can be represented by the Sanseiryu kata, which emphasizes circular movements, explosive power, and heightened energy. The red carpets may symbolize the intensity and dynamic nature of the rubedo phase. 

The nine steps mentioned in the Trinosophia can be seen as symbolic of the journey and progression within Uechi Ryu as Uechi Ryu's Sanchin Kata also incorporates nine steps.

While the Most Holy Trinosophia and Uechi Ryu are distinct in their origins and purposes, the similarities between their symbols, motifs, and concepts are intriguing. They both touch upon the profound interplay of opposing forces, the importance of discipline and training, and the pursuit of balance and harmony in spiritual and martial practices.